Installation view of Doug Aitken's NEW ERA
Installation view: Doug Aitken: New Era at 303 Gallery, New York, 2018. © Doug Aitken, courtesy 303 Gallery, New York; Victoria Miro Gallery, London; Galerie Presenhuber, Zurich; Regen Projects, Los Angeles.  Photo: John Berens.

The Manetti Shrem Museum presents NEW ERA, an installation by Doug Aitken

Los Angeles-based artist Doug Aitken has earned international acclaim with his groundbreaking work that redefines how we experience art. The Manetti Shrem Museum presents NEW ERA, an installation by Doug Aitken explores the technological ambivalence of contemporary culture, raising questions about the challenges of our immediate access to communication and networks. Drawing on a history of experimental music and cinema as well as a kinship with the protest movements of the late 1960s, Aitken’s immersive installation of moving images and sound creates a “liquid environment” that transforms viewers into collaborators.

Curator and Founding Director: Rachel Teagle

On view September 26, 2019–June 14, 2020

 

 

 

 

 

Photo of Stephen Kaltenbach from Personal Appearance Manipulation: Mirrored-Coated Contact Lenses
Stephen Kaltenbach, Personal Appearance Manipulation:
Mirrored-Coated Contact Lenses, 1970. Digital print of a
photocollage, 18 x 24 in. Collection of the artist.
 

Stephen Kaltenbach: The Beginning and The End

During the late 1960s, after graduating from UC Davis (BA, 1966; MA, 1967) and moving to New York, Stephen Kaltenbach established a reputation in the emergent international field of Conceptual art. In 1970, just as he was achieving career success, Kaltenbach abruptly withdrew to California’s Central Valley, appearing to abandon conceptual work in favor of more traditional mediums and modes. Fifty years later, the exhibition considers Kaltenbach’s engagement with time as a principal theme across his remarkably diverse career. His work plays with time itself as a medium: alternately projecting forwards and backwards, considering death as the ultimate disappearance, and exploring how artistic reputations are created—and erased—over the long passage of time.

Guest Curators: Constance Lewallen and Ted Mann

On view January 26–May 10, 2020

 

 

 

 

Manuel Neri painting, Untitled Figure Study No. 21.
Manuel Neri, Untitled Figure Study No. 21, 1958. Tempera and charcoal on paper, 25 ¾ x 23 ⅝ in. Fine Arts Collection, Jan Shrem and Maria Manetti Shrem Museum of Art. Gift of Paul LeBaron Thiebaud in memory of Price Amerson. © The Manuel Neri Trust.

The Gesture: The Human Figure After Abstraction
Selections from the Jan Shrem and Maria Manetti Shrem Museum of Art

The Human Figure After Abstraction presents the transformational work of the first generation artists of the UC Davis art department as they engaged with the human figure after the emergence of abstraction. As part of the Bay Area Figurative Movement, Davis artists looked to abstract art while nurturing a distinctive identity for modernism. In opposition to the dominant philosophy of “pure painting” practiced in New York City, they were eager to express their personal encounters and close observations of the world they inhabited. Their varied art practices share a singular characteristic—a commitment to innovation and creative freedom. This exhibition offers a lens on the varying interpretations of the human figure and their individual contributions to the ever-expanding notion of modern art.

Guest Curator: Carolyn Kastner

On view January 26, 2020–January 2021

 

 

 

 

 

 

Arts and Humanities 2020 Graduate Exhibition logo.

 

 

Arts & Humanities 2020 Graduate Exhibition

 

On view May 27–June 14, 2020